In the spring of 1974, Phillips began to select the material that would be used for the album. In late 1973, Phillips and Rutherford had completed writing the album during a short break in Ireland, the "Misty Battlements" of the Henry suite being the last section worked out. Demos of the latter two were recorded at Island Studios in November 1973 with producer Rhett Davies, the former dating back to 1969 as a parting farewell to Genesis drummer John Silver. Among the demos they developed during this time was their hymn tune "Take This Heart", released by Charisma Records in 1975, and the prospective 1974 release of the single "Silver Song" with "Only Your Love" on the B-side, that included Genesis drummer Phil Collins on lead vocals and drums. Development continued in August 1973 when Phillips and Rutherford met in their spare time before latter returned to Genesis commitments, after which Phillips took charge over the album's direction and expanded its foundation of 12-string guitar based pieces towards folk and progressive rock using techniques he had learned from his orchestration tuition. Phillips remained in close contact with his friend and Genesis guitarist and bassist Mike Rutherford and in the spring of 1972, the two agreed to work towards a potential joint album using Phillips's demos and other 12-string guitar pieces they had written before and during Phillips's time in Genesis. He also gave music lessons to pupils at two schools in Surrey, and later called it his "student period". Phillips tackled this by halting development on his songs and taking lessons in piano and classical guitar, and studied orchestration and harmony over the course of the following four years at the Guildhall School of Music and Drama in London. At one point, he listened to a piece by Jean Sibelius and had "one of those strange revelations" and realised he was "terribly limited" and "narrow" as a musician, and declared to himself that his guitar playing lacked enough technique. Having put down these early ideas Phillips began to take a greater interest in classical music. He put demos of these songs to tape at the studio set up in his parents' home between late July and early August 1970, receiving assistance from friends Harry Williamson and former Genesis roadie David Rootes. He began to write new material at a considerable pace, completing the arrangements to "Which Way the Wind Blows", "God if I Saw Her Now", and "Henry: Portraits from Tudor Times" on the 12-string guitar within ten days of leaving the group. In July 1970, Phillips left Genesis after three years citing illness with glandular fever and worsening stage fright.
The album reached number 191 on the Billboard 200. It was originally intended to be an album by Phillips and his former Genesis bandmate Mike Rutherford, but Rutherford's difficulty in devoting time to the project ended the idea.
In the event of a complaint from a sale where finance was the payment method we will work to resolve this in-house with you and in line with the Financial Conduct Authority () & Financial Ombudsman Service () requirements.The Geese & the Ghost is the first studio album by English musician and songwriter Anthony Phillips, released in March 1977 on Hit & Run Music in the United Kingdom and Passport Records in the United States. In the unlikely event that a problem cannot be resolved in-house, you can request arbitration, in writing, from the Secretary, MIRAD, PO Box 333, Southport, PR9 7GW.
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